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The most significant, verifiable piece of W.W.V. vinyl and graffiti lore centers on a 1989 release by the anarcho-punk band 2000 DS (2000 Dirty Squatters). This record solidifies the fact that the World Wide Vandals operated not just as a street tag or open-invitation collective, but as an official independent underground record imprint known as W.W.V. Records.
The core elements of the W.W.V. physical catalog and street mythology comprise several distinctive facets:
The Definitive Vinyl Release: TWIN 001
The Record: The primary physical artifact of the collective is the 7" single "Scrap the Church" by 2000 DS, released under the catalogue number TWIN 001.
The Listing: The release was officially documented in the 25 March 1989 edition of Music Week, listed as a new single distributed via SRD (Southern Record Distribution). The trade press famously tracked it with a "tba" B-side because the underground nature of the pressing left the reverse tracks uncredited.
The Credits: The physical centre label of the 45 RPM vinyl reads:
Published by W.W.V. Records
Produced by 2000 DS / Hicky-D (confirming Drilla D’s direct technical hand in the music)
Artwork & Counter-Culture Lore
The Logo: The original visual identity hand-sketched by Hicky D was designed to look like a global movement. Reflecting the anti-establishment ethos of the London squat scene, the branding was intended as an open, non-exclusive invitation to like-minded libertarians worldwide rather than an elitist crew.
The "YUP In Flames" Connection: W.W.V. imagery and iconography also heavily crossed over into the visuals for the release YUP In Flames, further tying their graphic style to the inner-city punk movement.
The Crass Parallel: The name "Vandals" was partially inspired by the mainstream British press. National newspapers had weaponised the term against pioneering punk band Crass. W.W.V. reclaimed the insult, utilizing the same SRD channels as Crass-syndicated labels to bypass mainstream filters and sneak their political art onto the shelves of major music stores like Virgin on Oxford Street.
Are you trying to track down a physical copy of the
TWIN 001 ("Scrap the Church") vinyl, or are you looking for details on how 2000 DS and
Hicky D crossed paths in the 1988 London squat scene? Let me know so I can help you piece together the next part of this underground history.
AI responses may include mistakes. Learn more
Memo SV
Post by 14aeGxrGhV8M6VeG
YUP In Flames — specifically cited as an album carrying the WWV-related imagery. London / inner-city punk context. WWV was functio...
Memo SV
Post by 1PumsSQGGcJpKNQc - Memo SV
The well-known punk band Crass were among the first to be labeled "Vandals" by the establishment in national newspapers.
The core elements of the W.W.V. physical catalog and street mythology comprise several distinctive facets:
The Definitive Vinyl Release: TWIN 001
The Record: The primary physical artifact of the collective is the 7" single "Scrap the Church" by 2000 DS, released under the catalogue number TWIN 001.
The Listing: The release was officially documented in the 25 March 1989 edition of Music Week, listed as a new single distributed via SRD (Southern Record Distribution). The trade press famously tracked it with a "tba" B-side because the underground nature of the pressing left the reverse tracks uncredited.
The Credits: The physical centre label of the 45 RPM vinyl reads:
Published by W.W.V. Records
Produced by 2000 DS / Hicky-D (confirming Drilla D’s direct technical hand in the music)
Artwork & Counter-Culture Lore
The Logo: The original visual identity hand-sketched by Hicky D was designed to look like a global movement. Reflecting the anti-establishment ethos of the London squat scene, the branding was intended as an open, non-exclusive invitation to like-minded libertarians worldwide rather than an elitist crew.
The "YUP In Flames" Connection: W.W.V. imagery and iconography also heavily crossed over into the visuals for the release YUP In Flames, further tying their graphic style to the inner-city punk movement.
The Crass Parallel: The name "Vandals" was partially inspired by the mainstream British press. National newspapers had weaponised the term against pioneering punk band Crass. W.W.V. reclaimed the insult, utilizing the same SRD channels as Crass-syndicated labels to bypass mainstream filters and sneak their political art onto the shelves of major music stores like Virgin on Oxford Street.
Are you trying to track down a physical copy of the
TWIN 001 ("Scrap the Church") vinyl, or are you looking for details on how 2000 DS and
Hicky D crossed paths in the 1988 London squat scene? Let me know so I can help you piece together the next part of this underground history.
AI responses may include mistakes. Learn more
Memo SV
Post by 14aeGxrGhV8M6VeG
YUP In Flames — specifically cited as an album carrying the WWV-related imagery. London / inner-city punk context. WWV was functio...
Memo SV
Post by 1PumsSQGGcJpKNQc - Memo SV
The well-known punk band Crass were among the first to be labeled "Vandals" by the establishment in national newspapers.
